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Bank of America's Predictions



Here we go again. More eerie, bone chilling murals describing the apocalyptic story of humanity's future in pictures. This time it's the Bank of America. They are prominently displaying 3 prophetic murals in the lobby of their Corporate Center in Charlotte, North Carolina.

The three murals are arranged in order of the timing of world events. The first mural shows the classic Masonic checkered floor as part of the landscape that the ruling families now control. See the (Biblical) "burning" bush blowing West? It symbolizes the burning of America which is currently being dismantled morally, economically and politically.

The white man beside the burning bush is wearing a red sweater and blue jeans (red, white and blue). He is totally distracted while the bush is burning. He symbolizes the American citizen distracted, unaware and oblivious to his dying empire.

See the controlled female puppet on strings? This suggests that the next puppet President will be a woman.

Among the group of people at the bottom-left is America's colonial forefather arguing with modern day “suits”. This symbolizes Tea Party constitutionalists protesting the fascist “New World Order” police state that is unfolding. They are pointing at the central figure - the Masonic-Aryan boy wearing a Nazi overcoat and clicking his heels together.


Who is the boy in the Nazi overcoat? He is the same boy found in the Denver Colorado Airport mural but he is older in this "continuation" mural. Can you see the "subliminal" phallic power image inside the white circle on the mural and inside the white circle on Prince William's boyhood AP photograph?


In the Denver mural, the nations of the world turn their national flags and sovereignty over to the boy. He destroys the weapons of war with a hammer (hammer and sickle) and turns them into plowshares. He is the world leader who brings peace through communism to the war torn world.


Prince William's "Order of the Garter" crest is a gold lion. There is an identifying gold lion designed into the boy's hair. Look inside the white circle.

William was recently made the 1000th Knight of the Order of the garter which is the parent organization of Freemasonry. The Black Prince, King Edward III's son, was the first Knight of the Garter.


If you trace over the folds in the arm of the overcoat worn by the boy in the Bank of America mural, the folds form the name "William".


The setting of the second Bank of America mural is an apocalyptic FEMA camp where New World Order resistors are incarcerated. The back wall and side wall are strung with barbed wire. Overhead, the Elite are hovering and celebrating like gods, circling free and naked in their wealth and power. They are separate from the chaos and energized by it while the world population beneath them are trapped in their net.

Hazmat and Marines carrying rifles are seen in the crowd with the classic Nazi gold eagle and flags. Blank street signs impy there is nowhere to go. The protest signs are also blank implying they have no voice.

All races and creeds are caught in the chaotic rule of the jungle including a Catholic Bishop, a Nun, a handcuffed man. The person wearing hazard protection gear symbolizes a pandemic or biochemical or nuclear warfare. In the background, industrial burning suggests a crematorium.


In the third panel, survivors of the apocalypse are stratified with the lowest level labourers holding up their gold headed tools like crosses. The tools point worshippingly up and symbolize their labour that enriches thethe red dragon symbolized behind the shovel heads.

Above ground, the educated, skilled slave labourers are re-building the “New World”. This stratification is similar to the United Nations Security Council mural.


The red dragon in human form is etched into the hills at the highest level. He sleeps peacfully while the obedient, subservient population obey and serve him.

This mural illustrates the post-apocalyptic “rebuilding era”. At the top left is a sign marked "EQ" suggesting that the chosen date for the start of the new world order calender will be an "Equinox".

Equinoxes are at the center of the Sun's movement. Solstices are at the endpoints. These solar 'power point' dates symbolize the interaction of light and darkness and are Satanic calendar holidays.

Prince William was born on the solstice during a Solar Eclipse - June 21st. On the eve of his birth, Druids, Witches, and Satanists celebrated around the globe with sex and blood rituals, human and animal sacrifices, black masses and Satan worship.

What Is The Meaning of the Frescoes?

Like most elitist art, the frescoes on display at the headquarters of Bank of America, the largest bank in America, tell a story intended to be decoded by those in the know. The frescoes seem to depict three stages of world transformation – planning, chaos and achievement – and are color-coded to be analogous to the three stages of hermetic alchemy: Nigredo (blackness), Albedo (whiteness) and Rubedo (redness).  The frescoes bare many resemblances to the murals of the Denver International Airport, which also depict progressive phases of a profound transformation of society after a period of intense turmoil.

The first fresco displays a wide array of occult symbols, some directly referring to Freemasonry. This is quite astonishing as the painting is in the lobby of the headquarters of the United States’ most predominant bank and not in a Masonic lodge … but perhaps there is some overlap. Those who are “in the know” and initiated to the Mysteries are those who are qualified to accomplishing the planning process, which in this painting seem to be the men in suits, whose ties match the red and white checker-board floor, and who make plans for the future generation, represented by the blond Masonic boy.

In the second fresco, civil unrest, riots, protests and repression are all taking place. Historically, the masses only usually go into an outright revolt when their living conditions deteriorate significantly or when hugely unpopular policies get adopted. Does this piece refer to the loss of civil liberties and the rise of a police state? There is also a metaphysical aspect to the image, represented by the spinning naked bodies that appear as the sun, implying that the period turmoil is also happening on a cosmic level.

The last fresco gives a sense of “mission accomplished”, with the dominant figure surveying the work, while also conveying the message that “the work is never totally done” as labourers are still hard at work in the underground. This is reminiscent of the movie Metropolis, where a class of workers silently slave away underground to sustain the elite’s utopia. I also can’t help but being reminded of the 33 Chilean miners while looking at those workers …

In Conclusion

The Bank of America frescoes are yet another example of the elite’s agenda being “hidden in plain sight”. These giant images, on display for all to see, but designed to be understood by few, describe the philosophy of the elite rulers, their occult knowledge and their plans for the future.  As it is the case for all works of art, it is possible to interpret these paintings on numerous levels and to come up with different conclusions. It is, however, difficult to ignore the recurrent themes found in the”Sinister Sites” described on The Vigilant Citizen: prevalent occult symbolism, the heralding of a “new era”,  contempt for the profane masses, celebration of repression and war, etc. When comparing the Bank of America frescoes with the art of the DIA and the Georgia Guidestones, we can find a definite consistence in their symbolism, their tone and their message. This leads me to believe that the same group is behind all of those sites and many more. Whoever they are, we know a few things for sure: they are extremely rich, extremely powerful and they don’t really like you … because you are not one of Them.

For an alternate analysis: http://vigilantcitizen.com/?p=5638

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